The VI7000 REMIC RESHAPE mount for violin is designed for use with the RE7100 and RE7200 microphones from the REMIC RESHAPE product series. Being able to replace the mount, gives you full flexibility to select, whether you prefer to use the RE7100 RESHAPE microphone (omnidirectional) or the RE7200 RESHAPE microphone (supercardioid) for the particular repertoire and sonic environment.

Benefits:

• Fast to mount and unmount
• Consistent sound due to consistency in placement on the instrument and angle of mount (and microphone)
• Flexible foam mount that does not damage the instrument or varnish
• Designed for mounting in the optimal place for balance between the fundamentals and overtones
• Great for audiovisual productions due to its hidden position on the instrument

Measures: 15 mm x 38 mm
Weight: 1,5 g
Material: Nitrile foam

The VA7000 RESHAPE mount for viola is designed for use with the RE7100 and RE7200 microphones from the RESHAPE product series. Being able to replace the mount, gives you full flexibility to select, whether you prefer to use the RE7100 RESHAPE microphone (omnidirectional) or the RE7200 RESHAPE microphone (supercardioid)) for the particular repertoire and sonic environment.

Benefits:

• Fast to mount and unmount
• Consistent sound due to consistency in placement on the instrument and angle of mount (and microphone)
• Flexible foam mount that does not damage the instrument or varnish
• Designed for mounting in the optimal place for balance between the fundamentals and overtones
• Great for audiovisual productions due to its hidden position on the instrument

Measures: 18 mm x 38 mm
Weight: 2 g
Material: Nitrile foam

CE7000 REMIC RESHAPE Mount for Cello

The CE7000 RESHAPE mount for cello is designed for use with the RE7100 and RE7200 microphones from the RESHAPE product series. Being able to replace the mount, gives you full flexibility to select, whether you prefer to use the RE7100 RESHAPE microphone (omnidirectional) or the RE7200 RESHAPE microphone (supercardioid) for the particular repertoire and sonic environment.

Benefits:

• Fast to mount and unmount
• Consistent sound due to consistency in placement on the instrument and angle of mount (and microphone)
• Flexible foam mount that does not damage the instrument or varnish
• Designed for mounting in the optimal place for balance between the fundamentals and overtones
• Great for audiovisual productions due to its hidden position on the instrument

Cello Mount:
Measures: 58 mm x 20 mm
Weight: 4 g
Material: Nitrile foam

Cable Holder:
Measures: Ø40 mm x 15 mm
Weight: 2 g
Material: Nitrile foam

BA7000 REMIC RESHAPE Mount for Double Bass

The BA7000 RESHAPE mount for double bass is designed for use with the RE7100 and RE7200 microphones from the RESHAPE product series. Being able to replace the mount, gives you full flexibility to select, whether you prefer to use the RE7100 RESHAPE microphone (omnidirectional) or the RE7200 RESHAPE microphone (supercardioid) for the particular repertoire and sonic environment.

Benefits:

• Fast to mount and unmount
• Consistent sound due to consistency in placement on the instrument and angle of mount (and microphone)
• Flexible foam mount that does not damage the instrument or varnish
• Designed for mounting in the optimal place for balance between the fundamentals and overtones
• Great for audiovisual productions due to its hidden position on the instrument

Double Bass Mount:
Measures: 80 mm x 20 mm
Weight: 8 g
Material: Nitrile foam

Cable Holder: 
Measures: Ø40 mm x 15 mm
Weight: 2 g
Material: Nitrile foam

BA7001 REMIC RESHAPE Mount for Concerto Bass

The BA7001 RESHAPE mount for concerto bass is designed for use with the RE7100 and RE7200 microphones from the RESHAPE product series. Being able to replace the mount, gives you full flexibility to select, whether you prefer to use the RE7100 RESHAPE microphone (omnidirectional) or the RE7200 RESHAPE microphone (supercardioid) for the particular repertoire and sonic environment.

Benefits:

• Fast to mount and unmount
• Consistent sound due to consistency in placement on the instrument and angle of mount (and microphone)
• Flexible foam mount that does not damage the instrument or varnish
• Designed for mounting in the optimal place for balance between the fundamentals and overtones
• Great for audiovisual productions due to its hidden position on the instrument

Concerto Bass Mount:
Measures: 94,5 mm x 20 mm
Weight: 9 g
Material: Nitrile foam

Cable Holder:
Measures: Ø50 mm x 20 mm
Weight: 6 g
Material: Flexible foam

BR7000 REMIC RESHAPE Brass Mount

The BR7000 RESHAPE mount for brass instruments is designed for use with the RE7100 and RE7200 RESHAPE microphones. Being able to replace the mount, gives you full flexibility to select, whether you prefer to use the RE7100 RESHAPE microphone (omnidirectional) or the RE7200 RESHAPE microphone (supercardioid) for the particular repertoire and sonic environment.

Made of black natural rubber, it is durable and easy to place on the bell of any instrument from the brass instrument family such as trumpet, french horn, flugel horn, cornet, sax horn, tuba, trombone, tenor horn, baritone horn, euphonium as well as the saxophone from the woodwinds instrument family.

• Fast and easy mounting and unmounting
• Consistent sound due to fixed angle of the microphone
• Durable natural rubber material

Material:

Natural black rubber

PH7000 REMIC RESHAPE Pencil Holder

The PH7000 is designed for use with with the RE7100 and RE7200 RESHAPE microphones. The pencil holder allows for the use of the RE7100 and RE7200 microphones with a microphone clamp on a normal microphone stand. Being able to replace the mount, gives you full flexibility to select, whether you prefer to use the RE7100 RESHAPE microphone (omnidirectional) or the RE7200 RESHAPE microphone (supercardioid) for the particular repertoire and sonic environment.

The PH7000 pencil holder is compatible with the microphone clamp K&M 85035 from König & Meyer for small microphones with a diameter of between 17 – 22 mm.

Measures:

Lenght: 96 mm
Diameter (max): 165 mm

Material:

POM (polyoxymethylene)